DirectOut ANDIAMO Dante

£5,628.00

£4,690.00 exVAT.

£5,628.00

£4,690.00 exVAT.

Sale Sold out

In stock

Quantity

Focused and deliberate, the ANDIAMO is a high-end AD/DA converter built for clarity at scale. Thirty-two channels of analogue I/O meet a flexible digital core, allowing signals to move seamlessly between analogue, MADI, and networked environments.

Housed in a compact 1U form, it brings the sonic character of the Prodigy platform into a more streamlined device, without losing precision. Routing, control, and redundancy are handled quietly in the background, keeping the system stable and the workflow uninterrupted.

Adaptable by design, ANDIAMO is less about fixed configuration and more about choosing the right connection for the system it supports.

Key Features

32-channel high-end AD/DA conversion (analogue ↔ digital)

Dual MADI I/O via SFP for flexible digital connectivity

Optional network audio integration (Dante, RAVENNA/AES67, SoundGrid)

Up to 288 channels with combined analogue, MADI, and network audio

globcon remote control with per-channel routing and level management

Redundant power supplies and network paths for reliable operation

EARS™ automatic redundancy switching for uninterrupted audio

Compact 1U chassis for touring, broadcast, and installation use

Dante Version

The ANDIAMO Dante integrates directly into Dante-based IP networks.

Audio transmitted over standard Ethernet networks

Typically up to 64 channels per network stream at base sample rates

Widely adopted across live sound, AV, and installed systems

Straightforward and familiar designed for fast deployment and flexible routing.

View full details

Technical Specs

Interfaces

MADI ports (I/O):
2 × SFP (empty cage, no transceiver)
Network:
2 × RJ45 (1 Gbit/s) – audio network
1 × RJ45 (1 Gbit/s) – management
Analog (I/O):
8 × DSUB-25 (balanced), AES59 compliant
Note: SFP MADI transceivers available from DirectOut

Digital

Sample rates:
44.1, 48, 88.2, 96, 176.4, 192 kHz (±12.5%)
MADI formats:
48k / 96k frame56 / 64 channelS/MUX
Optional Audio network options:
RAVENNA (128 channels @ 1 FS)
Dante (64 channels @ 1 FS)
AVB/MILAN (128 channels @ 1 FS)
SoundGrid (128 channels @ 1 FS)

Analog

Analog level (I/O):+24 dBu+15 or +18 dBu available on request

A/D (Analog-to-Digital)

SNR:-117.6 dB RMS (20 Hz – 20 kHz)-119.9 dB(A)
THD @ -1 dBFS:-119 dB
Frequency response:-0.15 dB (10 Hz)-0.15 dB (20 kHz)

D/A (Digital-to-Analog)

SNR:-119.5 dB RMS (20 Hz – 20 kHz)-122.5 dB(A)
THD @ -1 dBFS:-112 dB
Frequency response:-0.5 dB (10 Hz)-0.15 dB (20 kHz)

Sync

Word clock (I/O):2 × coaxial BNC (75 Ω switchable)

Communication

Remote software:
globcon (Windows & macOS)

Global

Power supply:2 × 84–264 V AC
47–63 Hz
Safety class 1, phase-redundant
Dimensions:
Width: 19" (483 mm)
Height: 1 RU (44.5 mm)
Depth: 10" (254 mm)
Weight:Approx. 4 kg

Case Studies

FAQ

Which audio formats and protocols are supported?

ANDIAMO supports:

This allows seamless integration into both traditional digital audio systems and modern audio-over-IP workflows.

How does the ANDIAMO handle redundancy?

ANDIAMO is designed for mission-critical environments and includes:

Dual MADI ports for seamless redundancy
Dual network ports for redundant audio-over-IP operation
EARS™ automatic failover switching
Dual redundant power supplies

These features ensure uninterrupted operation in live and broadcast applications.

How is the ANDIAMO controlled and configured?

The system is controlled via:

globcon control software (Windows/macOS)
Dedicated Ethernet port for remote management
Front-panel controls for quick access to key functions

This allows both detailed system configuration and simple on-device operation.

Is the ANDIAMO suitable for touring and playback systems?

Yes. Its 1U form factor, high channel density, and robust redundancy features make it ideal for touring playback rigs and live production systems where space, reliability, and sound quality are critical.

Is the ANDIAMO suitable for audio-over-IP (AoIP) Broadcast systems?

Yes. With optional network modules, ANDIAMO supports AES67 and Dante, and is compatible with SMPTE ST 2110 workflows, making it suitable for modern broadcast and IP-based audio infrastructures.

Which ANDIAMO version should I choose: MADI, Dante, Ravenna (AES67) or SoundGrid?

The right ANDIAMO variant depends entirely on your system architecture and signal workflow, not audio quality, all versions use the same high-end DirectOut conversion stage.

ANDIAMO MADI → Best for digital systems and point-to-point routing
Ideal if you’re working with MADI consoles, stage racks, or broadcast routers where simplicity, low latency, and reliability are key.
ANDIAMO Dante → Best for general-purpose audio-over-IP systems
Suits flexible networked environments where you need wide compatibility and easy integration with modern live sound or installation networks.
ANDIAMO Ravenna / AES67 → Best for broadcast and SMPTE ST 2110 environments
Designed for IP-based broadcast infrastructures where AES67 interoperability, ST 2022-7 redundancy, and deterministic routing are required.
ANDIAMO SoundGrid → Best for Waves-based live sound workflows
Purpose-built for systems running Waves DSP servers (e.g. LV1), where ultra-low latency plugin processing and tight SoundGrid integration are essential.

Can I mix ANDIAMO versions in the same system?

Yes. All ANDIAMO models are designed to integrate into larger hybrid systems, and can be combined using format bridging (for example via MADI, Dante, or AES67 gateways depending on configuration).

In practice, many systems use a combination:

MADI units for console and stage connectivity
Dante or Ravenna units for network distribution
SoundGrid units for dedicated live processing workflows

Because all variants share the same 32-channel AD/DA platform and globcon control ecosystem, they can operate side-by-side within larger DirectOut infrastructures without compromising workflow consistency.

DirectOut ANDIAMO Dante